While I appreciate the attempt to do something interesting with the characters, and Mako as the voice of Splinter was inspired, the whole thing came off more silly than awesome. I'd really like to see a darker, grittier reboot of the Turtles movies along the lines of Batman Begins.
Toy Story 3 (2010)
Toy Story 2 is one of my favorite films of all time. As in top 20. Maybe top 10. So Toy Story 3 had a lot to live up to. While not quite as good as its predecessor, Toy Story 3 is still quite good. The wizards at Pixar deftly juggled Toy Story's huge cast of characters as well as half a dozen new ones. The story delves into themes just touched on in Toy Story 2, dealing with what happens to toys when their owner outgrows them. There are thrilling chases, plenty of laughs, and an exquisitely orchestrated "prison break." And while the action climax may fall short of previous Pixar efforts, the final scene packs such an emotional wallop that any faults the film may have are instantly forgotten.
Robin Hood (2010)
There were some fun action sequences and I suppose I appreciate Ridley Scott's attempt to put the Robin Hood stories into a more realistic setting, but they spent so much time trying to put Robin Hood into a historical framework that the Robin Hood of myth and legend all but disappeared.
How to Train Your Dragon (2010)
I saw the trailers (and teaser spots during the Olympics) and nothing really grabbed me. "This is just another in the long line of lackluster Dreamworks ilk," I thought. But then everyone started raving about this movie and I felt that I had to see it. I have rarely been so happy to be wrong. The film is full of engaging characters and the humor doesn't cater to the lowest common denominator. The story went in some unexpected places and the resolution was completely satisfying. The only real complaint I have with the movie is that so much time is spent at the beginning talking about how Vikings kill dragons because dragons kill Vikings, it would have been nice to drive that point home by actually showing an onscreen death of a Viking or a dragon.
I don't know how he keeps doing it, but Christopher Nolan has hit it out of the park again. This is essentially a con man/heist movie, but it masquerades so well as a trippy mind game movie that the audience is willingly taken in. There is eye candy galore, thrilling action sequences, and a wonderfully executed zero-g hallway battle.